Olivier Boscovitch was seven when his teenage cousins introduced him to the Eagles, Supertramp, Boney M and the Rolling Stones. A year later, it was a song by these Satanic Majesties that gave him the binary virus: a ballad taken from the ‘Black and Blue’ album, ‘Fool to Cry’, with Jagger’s mewling over the swaying chords of the Fender Rhodes, left its mark on the kid. Later, as a high-school dropout, he let his imagination run wild with the androgynous silhouettes of Jagger and Bowie, embraced Johnny Rotten’s morgue and decided to put his gift for drawing to work for his passions: rock, punk and electro. Flyers, art direction and music videos for David Guetta, Bob Sinclar, Pedro Winter and the guitarist of Rush, graphic columns in magazines – Olivier’s performances have been illuminating the evolution of a major musical genre for some thirty years.